OPERA TODAY 2023

"Arlene has a lovely, engaging mezzo, and she sang Polina’s Act 1 romance stylishly"

QUEEN OF SPADES, THE GRANGE FESTIVAL

“Colpiscono anche la solidità del Federico Barbarossa di Riccardo Fassi, timbrato e dagli efficaci chiaroscuri espressivi, e la morbidezza e la cremosità vocale dell'Imelda di Arlene Miatto Albeldas, dalle ampie. risonanti e ben legate arcate melodiche”

BELLINI NEWS 2024

LA BATTAGLIA DI LEGNANO, TEATRO REGIO DI PARMA

“The remaining cast reflected the admirable qualities of the festival. Arlene Miatto Albeldas sang Imelda in a deliciously piquant mezzo”

OPERATRAVELLER 2024

LA BATTAGLIA DI LEGNANO, TEATRO REGIO DI PARMA

“La sorprendente Arlene Miatto Albeldas nei panni di Imelda”

OPERALOUNGE 2024

LA BATTAGLIA DI LEGNANO, TEATRO REGIO DI PARMA

GBOPERA 2024

“La squillante Imelda di Arlene Miatto Albeldas”

LA BATTAGLIA DI LEGNANO, TEATRO REGIO DI PARMA

OPERATODAY 2024

“Characterful interpretations from Alessio Verna and Arlene Miatto Albeldas round out the cast of named roles”

LA BATTAGLIA DI LEGNANO, TEATRO REGIO DI PARMA

“Completano la locandina l’efficace Imelda di Arlene Miatto Albeldas”

OPERALIBERA 2024

LA BATTAGLIA DI LEGNANO, TEATRO REGIO DI PARMA

LA BATTAGLIA DI LEGNANO, TEATRO REGIO DI PARMA

“Negli altri personaggi svettano le fresche voci di Arlene Miatto Albeldas, Anzor Pilia e Bo Yang”

OPERAINCASA 2024

“Ancora Mozart con La Clemenza di Tito e l’aria “Parto, ma tu ben mio”, eseguita molto bene da Arlene Miatto Albeldas, interprete già in possesso di perizia esecutiva e tecnica, nonché di un timbro colorito e ben proiettato”

OPERAMUNDUS 2024

VERDI ACADEMY GALA, TEATRO REGIO DI PARMA

"Performances offering insistently focused lyricism, meanwhile, come from Ilya Kutyukhin’s Prince Yeletsky, Andrei Kymach’s Count Tomsky and Arlene Belli’s Polina, doubling as Milozvor/Daphnis in the divertissement"

THE STAGE 2023

QUEEN OF SPADES, THE GRANGE FESTIVAL

"Russian diction was consistently excellent. Minor roles were well taken, with Arlene Belli a sweet-voiced Polina whose duet with Hovhannisyan charmed us"

BACHTRACK 2023

QUEEN OF SPADES, THE GRANGE FESTIVAL

"The smaller roles were all vividly drawn…Arlene Belli made a similarly characterful Polina, blending well with Hovhannisyan in their duet yet having a distinct personality. And Belli ably doubled the role of Milovzor in the Pastorale"

PLANET HUGILL 2023

QUEEN OF SPADES, THE GRANGE FESTIVAL

"Quite simply, this was a superb ensemble cast, generating electricity off each other"

THE SPECTATOR 2023

QUEEN OF SPADES, THE GRANGE FESTIVAL

CHUTE CHRONICLE 2023

"Dressed as a very glamorous punk, Arlene held the audience in awe with the amazing roundness and richness of her voice. Her menacing stage presence reflected the sinister nature of Dimitra"

THE LAST SIREN, TETE A TETE OPERA FESTIVAL

"The role of the vicious Lady Louisa Wolseley, who happily destroys people for her own entertainment, was played by mezzo-soprano Arlene Belli. She produced a convincing performance that captured Wolseley's judgmental, two-faced nature and her love for scandal in a well-sung performance that showed off her colorful pallet, which she successfully ised to flesh out her character"

OPERAWIRE 2022

THE MASTER, WEXFORD FESTIVAL OPERA

PLANET HUGILL 2022

"Arlene Belli was delightful in her comic turn as Lady Louisa Wolsely"

THE MASTER, WEXFORD FESTIVAL OPERA

OPERA NOW 2022

"A magnetic Italian mezzo-soprano Arlene Belli stole the show as Carmen"

CARMEN, ENO

“The Pope herself was played by international prize-winning Italian mezzo Arlene Belli in splendid form, going from decrepit oldster to spritely powerhouse in a dramatic mid-scene transformation”

PLANET HUGILL 2022

THE BURNING QUESTION, TETE A TETE OPERA FESTIVAL

“There was no axe to grind, simply a fine sequence of young artists engaging us. It is invidious to highlight individuals when all the performances were strong, but two performances stayed in the memory afterwards. Jolyon Loy's powerful account of Billy in the Darbies from Britten's Billy Budd and Arlene Belli's performance as Britten's Lucretia really hit home”

PLANET HUGILL 2021

THE RAPE OF LUCRETIA, NOS CONCERT

AMADEUS 2019

"Arlene ha una autentica personalità vocale"

LA DIAVOLESSA, TEATRO OLIMPICO

“Arlene Belli cast in the role of Dorina gave a forceful performance with much to admire. Giving considerable attention to her vocal characterization, Belli, more so than any of the other singers, was attentive to the text and its articulation, emphasis, and intonation. She created a multi-layered portrayal which had real depth and a dramatic edge. Her voice possesses an interesting timbre. She is confident and has a strong stage presence”

OPERAWIRE 2019

LA DIAVOLESSA, TEATRO OLIMPICO

TRAIETTORIE 2019

"Esuberante Dorina, caratterizzata da un singolare timbro brunito"

LA DIAVOLESSA, TEATRO OLIMPICO